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Live Report - angela Live at JPlex 5/3/2011

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SGD98...that's crazy. I still can't believe I blew all that money on a show I knew wasn't going to last much more than an hour. It wasn't without its setbacks, but all in all I think that opportunity to see angela live once again was worth it.

Also, autographs.

A lot more after the jump.

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No, I haven't forgotten about Madoka

It really has been crazy this week. I've only gotten around to watching episode 8 and 9 is already out.

But before I forget, let me just share what was going through my mind by the time the episode ended.

The best thing about Madoka isn't that it's unpredictable. You know that the characters are going to slide deeper into tragedy. But no matter how convinced you are by your own dire predictions, you don't quite want to believe it because you've learned to care about these girls, or at the very least don't think anyone deserves to be put through what they've experienced. So upon seeing it being played before your eyes in its full, horrifying glory, the shock hits you anew. It's a masterfully executed trainwreck, and you can't look away because you've invested too much now and you need to see just how badly it's going to end up.

That being said, the show is not without its surprises. I did not expect that to be Kyubey's true motive, and while hints of Homura's identity indicate that a certain time-traveler theory may be on the mark, there are still things about her that need to be explained.

So bravo, Madoka. No matter what happens from now on, I've already been impressed enough.

My one major gripe is this: Homura, if you already knew everything, why the fuck didn't you explain earlier? In full? No, I'm not buying the whole "I tried but no one listened." Try harder.

Or maybe, for some reason, she can't...but we'll see.

I'm going to go get started on episode 9 now, and hopefully find some time to talk about it.
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In the meantime...angela, Onitsuka Chihiro and Versailles

For anyone who's waiting for the next Madoka summary (are there any of you?) I apologize -- it's been a busy week. I'll include my thoughts for episode 7 when I do my write-up for episode 8.

For now, here's some sporadic coverage on J-music, which includes only stuff that I'm interested in because I am egocentric like that:

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Pop duo angela, who've churned out some amazing songs for Soukyuu no Fafner, Stellvia of the Universe and Asura Cryin', will be in Singapore for Jplex, along with FLOW (who did OPs for Code Geass). I've gone and blown SGD98 (I am so broke now) for tickets to angela's live, and I really hope it'll be worth it, although the 70 minutes performance time sounds a bit short. But it includes a meet-and-greet session, so that'll sweeten the deal a bit. They were amazing when I saw them at Anime Festival Asia, and I'm counting on them to deliver once again.


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Onitsuka Chihiro's announced a new single (Aoi Tori) and album (Ken to Kaede) for release on the 6th and 20th of April respectively. Something to look forward to, certainly -- she's an amazing singer and songwriter, and one of few solo J-pop singers I truly admire. She's also releasing an autobiography on the same day as the album release. I would be very interested in reading that, although I doubt it'd get translated. I can't help wondering about the woman behind those beautiful, painful songs, with their depressing outlook on love. And from what I've picked up she's seen some really rough days, especially during her hiatus. And just last year she was the victim of an assault, by a guy she was dating, no less. Ouch.

She also seems to have switched record labels again, from Universal to For Life Music Entertainment...well, as long as it won't impede her ability to put out great music, what label she's with shouldn't matter.



Versailles Philharmonic Quintet's (or just Versailles) new PV Philia came out a few days back. The single for the song itself will be out only on March 15.

It's...a decent song, I suppose. Listenable enough, but I'm not terribly impressed. Might grow on me. It actually sounds more like something I'd expect from Galneryus, more straight-up metal rather than romantic visual rock. But we get the usual guitar harmony between Hizaki and Teru, and I am always a sucker for dual harmonizing guitars.

Loving the black costumes, though. I don't usually pay much attention to costumes (pretty weird for a Visual Kei fan) other than to appreciate the fact that they're in something more interesting to look at than T-shirts and jeans. But those black outfits caught my eye -- they're pretty low-key, by Versailles's standards, but sleek and classy.

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He's been around too long to be a young man. But he still looks pretty hot

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I can only dream of looking as cute in that dress. Damn, Hizaki

Well, that's all I've got for now. I'll try to get that Madoka entry up within the next couple of days. Stay tuned!
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Mahou Shoujo Madoka Magica Episode 6 Summary

This post has been moved to the following URL: http://audiovisualstyle.wordpress.com/2011/02/17/episode-recap-puella-magi-madoka-magica-episode-6/
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Kalafina - Magia PV (quick, before they take everything down again!)

I swear, I'm capable of talking about subjects other than Madoka and Kalafina...I'll prove it at some point. I'm aware that right now this blog does little more than betray the depth of my obsessions with Madoka and Kalafina.

*coughhere!cough*

I've always thought that Kajiura (and whoever else was responsible for their image) took some cues from Visual Kei when creating the Kalafina project, consciously or otherwise. The dramatic nature of their songs was no more than what I had expected from Kajiura, but the elaborate costumes...I doubt this would be a popular theory (so many VK haters these days) and it doesn't really matter anyway. But it's just what I feel.

Anyway, when the 40-second preview for Magia PV came out, one of the first things I thought was "Visual Rock Kalafina!!!!111!!"

But after the full PV hit YouTube, and the focus on Hikaru became more apparent, another image began to take form in my mind. A commanding Hikaru with her smoldering gaze, in the forefront, flanked by the other two --

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Dominatrix queen Hikaru and her handmaidens.

I know, I know, me and my crazy ideas.

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Oh hey Kalafina again

I told myself I wouldn't do another Kalafina entry till Magia came out (if I didn't control myself this blog would be overflowing with entries of every little thing they did, and Canta-per-me.net does a far better job anyway). But when one of the lovely denizens on the aforementioned site's forums linked to this video, well...I couldn't help myself.


Courtesy of Kawaii Girl Japan, a site I wish I'd heard of earlier

One of the few subtitled video interviews/comments available of Kalafina! While I appreciate the translated transcripts of other videos that fellow fans have kindly provided, it's nice to know what they're saying as they say it.

Suffice to say this is not helping my obsession in the least. Wakana is charmingly talkative as usual, Keiko surprisingly comes across as a little subdued -- an impression broken by that silly healing spell moment at about 7:06 -- and Hikaru can be pretty eloquent when talking about their songs.

Overall, they are adorable.

They also seem pretty serious about taking care of their singing voices (then again, this isn't something I know much about).

It's clear that the subs are kind of paraphrased, but that's fine. I did catch what I thought was a rather glaring mistake though. Where Keiko says "Peter no nii-chan" (as in, Nathan Petrelli, and yes, they're talking about Heroes) the subs just say "Peter". But I can forgive the subber(s) for that, certainly.
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And now, for a couple of songs you've probably never heard of

Oh look it's something actually related to the blog's title!

I've been listening to a lot of Kalafina and Kajiura lately (well, more so than usual). But sometimes I set my iTunes on shuffle and get reminders of how there's actually a whole bunch of other music that I adore

Like old school Visual Kei. Oh how I adore old school Visual Kei.



Gram∞Maria seem pretty obscure even by indie VK standards...I think I picked this song up at an MP3 rotation. It's so deliciously OTT.

Now here's something even more obscure - 80's Japanese progressive rock:



I found this song completely by accident on YouTube -- I was actually looking for another Japanese song called Leanhaun Shee. I was so fascinated by this song I went and to look for a copy of their album(apparently they still have quite a number of fans).

I don't think a lot of people will share my taste in music. But I don't think it matters either. The important this, I love what I'm listening to.